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If you use a telephoto lens to photograph birds or wildlife you may have experienced a shallow depth of field causing part of your subject to be blurred. Often, we want a shallow depth of field to ensure the background is blurred but usually, we want the subject to be sharply in focus.
If you use extension tubes for macro photography you will be familiar with the problem of shallow depth of field. But what if you are using extension tubes on a telephoto lens to increase magnification. Will the extension tube affect the depth of field?
Extension tubes do affect the depth of field off a lens. However, this is more noticeable when you are close to the subject rather than when taking shots close to the maximum focusing distance of the telephoto lens. To increase the depth of field and have more of the subject in focus, move further away.
Shallow Depth of Field with Telephoto lenses
Here are two example shots taken with my Canon EOS R6 plus Sigma 150-600mm f5-6.3 SPORT DG OS HSM with 32mm extension tubes. The black is so tame it came to feed just 6ft away from me. I should have taken the time to crank down the aperture (and reducing the focal length) but ended up taking a burst at a focal length of 600mm and f/7.1.
You can see I missed focusing on the eye in the first shot but the animal eye AF on the R6 grabbed the blackbird’s eye in the second shot. In both cases you can see the depth of field at f/7.1 is not huge with the extension tubes fitted.
But remember, I was ridiculously close to the bird, considering the Sigma lens was set to a focal length of 600mm. At more sensible distances, and with the aperture shut down a little, I should be able to get most, if not all, of the bird in focus.
To put this to the test I tried to make the situation as extreme as I could to see the effect of using extension tubes on depth of field. I, therefore, added a 1.4x extender on to the Sigma and used all four extension tubes I have in my kit bag, a total extension tube length of 54mm.
Since the semi-tame blackbird did not make an appearance, I turned to our plastic owl bird scarer. It was 44ft (13.35m) from the focal plane of my Canon EOS R6 camera. The camera’s animal eye-autofocus latched onto the owl’s left eye and I took the shot.
On close examination I thought the image was very slightly soft, so I compared it to shots taken with the Sigma lens and 1.4x teleconverter and with the Sigma without the TC or extension tubes.
The image softness I could see was a result of using the 1.4x teleconverter and not a result of using the extension tubes. They did not appear to degrade the image any further.
Satisfied that the extension tubes were not significantly affecting the image quality I turned to the depth of field.
Unlike the blackbird shot that was taken at almost the minimum focusing distance, this image had all the “bird” in focus. It was not an unexpected result. At longer distances, I expected the Sigma zoom telephoto lens with 1.4x TC and 54mm extension tubes to have a much deeper depth of field than when close to the subject.
More depth of field
As well as moving further from the subject you can adjust the aperture on the lens. A smaller aperture (larger f-number) will increase the depth of field and get more of the subject in focus.
Changing the aperture to f/11 or f/16 should make a substantial difference.
Since using extension tubes does reduce the light you may find that you will have to reduce the shutter speed and/or increase the ISO to compensate. When taking photos of birds this can lead to blurry images and more noise. With a DSLR you may also find the image in the viewfinder is a little dark. But if you are using a modern mirrorless camera, you shouldn’t have so much trouble.
Cameras like the Canon EOS R6 perform exceptionally well at higher ISOs, and the in-body image stabilization (IBIS) allows longer shutters speed without blurring. However, motion blur due to the bird’s movement would remain a problem.
When using a super-telephoto lens with extension tubes for bird photography the depth of field is affected. But the shallow depth of field only becomes significant when close to the subject.
When taking shots at typical shooting distances for bird photography, you can expect to get good shots with most, if not all, of the bird in focus. The ridiculously shallow depth of field you would expect from using extension tubes in macro photography only appears when the subject is close to the minimum focusing distance of the telephoto lens when fitted with extension tubes.
Here are some of my favorite content creation tools
Thank you for taking the time to read this article. Hopefully, you found it helpful in creating your own content for your social media and YouTube channels. I have listed some of the gear I use as a YouTuber and online course creator and hope you’ll also find it useful. I have recommended this equipment to my readers and my own family and friends.
Camera: You can use your smartphone when starting out, but I’d recommend getting a Mirrorless Camera. I use both the Canon EOS R and EOS R6. Both can shoot Full HD or 4K, and the Eye AutoFocus will keep you sharply in focus even if you move around. If your budget is smaller, I would recommend the Canon M50 MkII.
Video microphone: Arguably, sound quality is more important than video quality, that’s why I use a Deity V-Mic D3 Pro super-cardioid shotgun microphone on my mirrorless cameras. It automatically powers on when I turn on my camera and powers down when I switch off the camera. But I also like the versatility of the mic. It automatically senses what device it is connected to ensuring it works with SLRs, camcorders, smartphones, Handy recorders, laptops, and bodypack transmitters.
Video Lighting: Although daylight is my favorite lighting, I use LED lighting for all the videos I shoot indoors because good lighting can make a tremendous difference to the visual appeal of a video. For video calls on Zoom or Teams, I use the Lume Cube Broadcast Lighting Kit. For YouTube videos and creating video tutorials for online courses, I love the Lume Cube 18″ Cordless Ring Light Kit. Both these lights are excellent, and I wouldn’t hesitate in recommending them.
Teleprompter software: I use the iCue teleprompter app on my iPad when using it with a traditional beam-splitter teleprompter and control it remotely with the iCue Remote app on my iPhone. On my PC I use Teleprompter Pro from the Microsoft Store.
Teleprompter hardware: Teleprompters help you present to the camera without needing to learn your script. When I need more screen space and the durability of an all-metal build, I like the Glide Gear TMP100 beam-splitter teleprompter. It works with my mirrorless cameras and uses an iPad or tablet to run the teleprompter software.
Tosh Lubek runs an audio and video production business in the UK and has been using the Canon EOS R since it was released in the Autumn of 2018 and the Canon EOS R6 in 2020. He has used both cameras to shoot TV commercials broadcast on Sky TV, promotional business videos, videos of events and functions, and YouTube creator content. He has also won several international awards for his advertising and promotional work. You can meet him by visiting his “video booth” at HashTag Business Events across the country.
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