How to make your Blue Yeti Sound Better: The Ultimate Guide


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Is the Blue Yeti good for streaming? That’s a question I hear all the time, and it’s a question that frequently gets conflicting replies. There are plenty of people who love the Blue Yeti microphone, and just as many who hate it. 

If you’ve recently bought a Blue Yeti and feeling frustrated because your Blue Yeti sounds bad, don’t worry. This article will help you improve your Blue Yeti’s sound quality so that you sound professional in your podcasts and live streams. Although I will give you full details, here are the top 8 tips to making your Blue Yeti sound better.  

  1. Get close to the mic.
  2. Use one microphone per person.
  3. Only use the Cardioid pattern.
  4. Avoid direct contact between the Blue Yeti mic and your desktop.
  5. Get a good-quality USB extension to position the mic correctly.
  6. Speak into the sensitive side of the Blue Yeti.
  7. Use a pop filter or windscreen to stop plosives.
  8. Reduce the background noise. 

Why does my Blue Yeti sound bad? 

If you think that your Blue Yeti sounds bad, don’t panic, and don’t send it straight back to the seller. Unless your parcel got damaged while being delivered, the likelihood of your Blue Yeti being faulty is low.   

Despite what some people say, the Blue Yeti is a good USB microphone. I have one in my sound booth, and I do use it for casual recordings without any problems. But I don’t use it for professional sessions for radio or TV commercials or spots.   

What I’m saying is that the Blue Yeti isn’t a professional-sounding mic, but nor does it come with a pro mic price ticket. For live streaming, the Yeti is fine, when you want a solidly built microphone, which sounds OK, looks good and provides the simplicity and convenience of a USB connection. 

Which brings me back to the question of why so many people think their Blue Yeti sounds bad? 

Is the Blue Yeti Bad Quality? 

If you are expecting a microphone that lets you record good USB audio, you’ll think the Blue Yeti is a good quality mic. When you want to record casual audio for YouTube, live streams, and podcasts, it’ll do the job. But if you want to record professional audio, or up your game for YouTube, live streams, and podcasts then you might consider the Blue Yeti bad quality.   

First, the Blue Yeti is not a professional microphone, so don’t expect it to sound like a pro mic setup. 

It doesn’t have a price ticket of $700+ that you’d expect of a professional mic setup. You see, the Yeti plugs straight into a computer’s USB port, whereas a professional condenser microphone needs more equipment. Your mic needs to be plugged into a mic preamp that plugs into a USB audio interface, that then plugs into a computer. 

The reality is that a professional mic sounds better than a Yeti because the kit includes better quality components, there are more parts, and it all comes at a higher price. Like in so many things, you get what you pay for. 

But putting the technical issues aside, the biggest reason people have problems with the Blue Yeti is that they do not know how to make it shine at its full potential. But isn’t that the case with anything? Until you’ve learned how to use some equipment or software, you’ll probably struggle to use it properly.  

So, let’s look at how you can make your Yeti sound better. 

How to make my Blue Yeti mic sound better 

The Blue Yeti might be a plug’n’play USB device, so you don’t need to install drivers, but that doesn’t mean you can start recording with no knowledge of how the microphone works. 

Most of the time when the Blue Yeti sounds bad it’s because it’s not being used right or positioned correctly. You see, the Blue Yeti doesn’t necessarily work the way you might think it does. 

Use one microphone per person  


Blue Microphones will tell you that you can use a single Yeti to record a one-on-one interview by choosing the bi-directional mode or pattern. That’s the pattern that looks like a figure of eight of two touching circles. 

You can also set the mode to omnidirectional and have a few people sat around the Yeti, since it will pick up sound equally from all directions. 

Although both these modes will work, in practice, the setup won’t give you good audio, unless you huddle up close to the mic. 

I used to work for various radio stations in Scotland and no studio interview was ever recorded using a single microphone. The rule was one microphone per person. 

With a dedicated microphone for each contributor, each person will sound good, and you’ll be able to balance all the voice levels. It doesn’t matter whether you speak louder than your guests, with separate mics you can adjust the levels match. That’s never going to be possible if you are all sharing one microphone. 

You need to get closer to the microphone 

No matter what microphone you use to record sound for your videos, there’s one universal rule you need to follow to record good audio. The mic should be about 6-12 inches from your mouth. You’ll always sound best at that distance. 

But here’s the problem. The main target of Blue Microphone’s marketing has been the game streamer, but that kind of user will be the least likely to put a desktop microphone right in front of them. What they want directly in front of them is their keyboard to control their PC game. 

Realistically, no gamer is going to put their bulky Blue Yeti between them and their keyboard. The Yeti will end up being sat off to one side of the PC keyboard, which isn’t ideal. 

First, the mouth to mic distance is going to be more than that ideal 6-12 inches. Second, the gamer won’t be speaking in the direction of the microphone. 

Usually what happens is that the user will turn up the audio gain on the Yeti to compensate for the fact that they’re now further from the mic and sound quieter. That’ll kind of work, but by making the Yeti more sensitive to sound, it’ll also raise any background sounds, including keyboard sounds and the reverberation of their voice in the room. The result is dreadful audio. 

So, whatever you do, keep the distance between you and your Yeti in that sweet spot of 6-12 inches. That means getting the Yeti up to the height of your mouth. Here’s how to do it. 

If you’re not a gamer, say you’re conducting an interview or presenting a podcast, put your Yeti on a taller stand. 

The stand that comes with the Yeti is robust and it’s heavy enough to stay put on your desk. But, unless you’re sitting low down, the Yeti stand isn’t tall enough to get the up to your mouth height. 

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Something like the InnoGear desktop adjustable microphone stand will do. You need to fit the included 5/8″ Male to 3/8″ Female Screw adapter that then screws into the base of the Blue Yeti. If you’ve never paid much attention to the base of your Blue Yeti, the big circular hole is a universal 5/8” threaded mic mounting point. You can now get the Yeti close to your mouth and consequently record good audio.   

Only use the Cardioid pattern 

Now that you have the Yeti at the correct height and distance from your mouth, you need to choose the best mic pick-up mode or pattern. 

If you look on the reverse side to the Blue logo, you’ll see the pattern selection knob. The third position, going clockwise, is the cardioid pattern. It’s marked with a kind of heart shape, without the pointed bottom. 

The cardioid pattern that most people will want to select. It makes the microphone most sensitive in one direction, and less sensitive off to the sides and rear. An audio engineer would talk in terms of the microphone rejecting sound coming from the rear and sides. This allows your voice to stand out from background noise coming from those other directions.  

Avoid direct contact between the Blue Yeti mic and your desktop 

Many microphones, including the Blue Yeti, are sensitive not only to sound that passes through the air but also sound waves that pass through solids. 

That can be a problem if your Yeti is sat on your desk and so is your computer box, or if you knock your desk or are tapping at your keyboard. You might not notice any of those noises while recording, but they’ll become very apparent when you listen back to your recording. 

Solids can be highly effective at transmitting sound from the source of the background noise to the Yeti. If this is a problem for you, try isolating your mic from your desk. The simplest thing to do is to place some rubber matting under your mic stand, although it might not be completely effective. 

Another way of isolating your Yeti from your desk is to use a boom mic stand or a mic scissor arm. 

With a boom mic stand the stand rests on the floor instead of your desk. While a scissor arm attaches to your desk, but you then hang the Yeti from a shock mount that effectively isolates the Yeti from the scissor arm, and therefore from the desk. 

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With the Yeti isolated from your desk, it won’t pick up any knocks, keyboard taps, or the hum of your computer through mechanical transmission of sound. 

I have both a desktop stand and scissor arm for my Blue Yeti and both have their advantages. The desktop stand is easy to set up and tidy away and takes up little space. 

However, the scissor arm, although it’s more time consuming to setup, offers more flexibility. You can place the Yeti exactly in front of your mouth, and even move it around with one hand if you move your head around. Your Yeti mounted on a scissor arm will also appear more professional to your YouTube viewers. 

Get a good USB extension cable for your Yeti  

The USB cable that comes with the Yeti is not exactly short, but if you want to get the microphone away from your PC box or laptop, you’ll need an extension. You’ll also need an extension if you plan to have your Yeti in a sound booth but your PC on your desk. 

That’s the exact setup I have in my office. My audio/video editing workstation is on my office desk and my sound booth is in the corner of the room. A long extension connects my Yeti to my computer. 

However, don’t overdo the extension. Several feet of USB extension is OK, but don’t expect to run the cable halfway round your house.  

Speak into the sensitive side of the Blue Yeti 

A frequent problem that leads to many inexperienced content creators thinking their Yeti sounds bad is that they use their Blue Yeti incorrectly. 

Considering how many times we see people speaking on TV into the tip or the end of a microphone, it’s not surprising that folk try doing the same with a Yeti. Although it may seem instinctively correct, it’s the wrong way to use this microphone. 

The Yeti is a “side-address” microphone. That means you must speak into the side of the metal grill, but not just any side. You should speak into the side that has the Blue Microphones logo. 

Remember, you should be using the cardioid mic pattern so only the side with the logo will pick you up clearly. The two sides and the opposite side is where the microphone will be rejecting sound. If you try speaking from any of those positions, you’ll sound quiet and bad. 

Use a pop filter or windscreen to stop plosives 


Have you ever noticed the sound “popping” or “blasting” when a speaker gets really close to a microphone? 

Those are the plosive sounds in words starting with Ps and Bs giving the microphone element a hard time. The sudden rush of air literally batters the microphone element, overpowering the input and leading to those pops and blasts. 

However, there is a way you can make your speech sound clear and pop free. You need to use a windshield or pop filter. 

A windshield is that shaped black foam that slides onto the business end of the microphone. The foam helps to dissipate the energy in the blast of air before the sound reaches the mic element. 

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Professional, that mean more expensive, foam windshields can work well. But cheap ones are little more than spit guards that will help protect the microphone from moisture. Even so, they are probably worth getting just to keep your microphone safe. 

Pop filters, those circular rings covered in nylon or metal mesh and mounted on a gooseneck, are much more effective at stopping pops in your recorded speech.

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I would recommend getting both a windshield and pop filter. They’ll help clean up your speech, preventing those offensive pops and blasts that will ruin your recordings.   

Reduce the background noise 

The last thing you need to deal with is background noise. It includes aircon, fans, PCs, neighbors, lawnmowers, traffic, TVs, barking dogs, etc. 

Those that you can turn off, do so. The other sounds, like traffic and people, might be less noticeable if you pick the correct time of day (or night). Moving to another room, or even a closet, might also help. 

You probably don’t need to install lots of sound insolation if you use the Yeti correctly and keep it close to your mouth. You’ll be able to turn down the gain, to the point where you can be heard clearly but the background noises appear very faint. 

The other background noise you want to avoid are the reverberations of your own voice. Again, getting close to the mic will help minimize those reverberations. But if they are a real problem, you can try damping those reflected sound waves by install some foam panels or even hanging some blankets on the walls. 

There’s usually a way to deal with background noise, so don’t despair if your first recording sounds poor. You can read my other articles that will help.   

Conclusion: Is the Blue Yeti worth it? 

If I’m honest, I’d have to say that the Blue Yeti is a good microphone, provided you set it up and use it correctly. Although it’s not a professional microphone, the audio is sufficiently close to allow you to record good audio for streaming and podcasts. What’s more, with the right Apple USB adapter you can record straight into an iPhone or iPad with a Blue Yeti.

When you compare the Yeti to a professional studio mic, which will also require a preamp and USB sound interface, the Yeti looks like you’re getting value for money. You’ll pay at least 5 to 6 times the amount for a professional mic setup. You’ll also be able to use a wide range of recording software with the Yeti.

You may hear the difference in sound quality if you listen back on decent quality studio monitors or professional headphones, but will your audience hear the difference? In most cases, I don’t think so. 

You see. Most people will watch or listen to your streams either on a desktop computer or mobile device. In fact, over 70% of YouTube viewsOpens in a new tab. are now via YouTube’s mobile app. For most people, neither option comes with great speakers. 

Most computer speakers produce poor quality sound. I’ve even had clients complain about my properly mastered audio because, and I quote, “the sound makes the computer speaker buzz”. Come on, do you really expect a 3-inch speaker to reproduce good audio? 

When you then consider mobile devices, the sound is even worse, although you can plug in headphones. But most people are not using expensive pro quality headphones.    

If playback sound quality is never going to do justice to the most expensive of professional microphones, is there any point in spending all that extra cash? 

Now don’t get me wrong. I’m not suggesting you should record poor quality audio, because sound quality really matters. What I am saying is that there comes a point where spending lots of money won’t make any difference for most viewers. 

Now that brings me back to the Yeti. If you use it correctly, it has the potential to make you sound good online. It’s also a very robust microphone, with the body being made from aluminum. Furthermore, being a Plug’n’Play USB microphone you don’t need or have to learn, many audio engineering skills. Finally, for most viewers, the Yeti looks the part and won’t fail to impress. 

So, is the Blue Yet worth it? Provided you don’t expect a professional microphone for a fraction of the price, I would say yes, it is.

Here are some of my favorite content creation tools

Thank you for taking the time to read this article. Hopefully, you found it helpful in creating your own content for your social media and YouTube channels. I have listed some of the gear I use as a YouTuber and online course creator and hope you’ll also find it useful. I have recommended this equipment to my readers and my own family and friends.

Camera: You can use your smartphone when starting out, but I’d recommend getting a Mirrorless Camera. I use both the Canon EOS ROpens in a new tab. and EOS R6Opens in a new tab.. Both can shoot Full HD or 4K, and the Eye AutoFocus will keep you sharply in focus even if you move around. If your budget is smaller, I would recommend the Canon M50 MkIIOpens in a new tab..

Video microphone: Arguably, sound quality is more important than video quality, that’s why I use a Deity V-MiOpens in a new tab.c D3 Opens in a new tab.Pro super-cardioid shotgun microphone on my mirrorless cameras. It automatically powers on when I turn on my camera and powers down when I switch off the camera. But I also like the versatility of the mic. It automatically senses what device it is connected to ensuring it works with SLRs, camcorders, smartphones, Handy recorders, laptops, and bodypack transmitters.

Video Lighting: Although daylight is my favorite lighting, I use LED lighting for all the videos I shoot indoors because good lighting can make a tremendous difference to the visual appeal of a video. For video calls on Zoom or Teams, I use the Lume Cube Broadcast Lighting KitOpens in a new tab.. For YouTube videos and creating video tutorials for online courses, I love the Lume Cube 18″ Cordless Ring Light Kit. Both these lights are excellent, and I wouldn’t hesitate in recommending them.

Teleprompter software: I use the iCue teleprompterOpens in a new tab. app on my iPad when using it with a traditional beam-splitter teleprompter and control it remotely with the iCue RemoteOpens in a new tab. app on my iPhone. On my PC I use Teleprompter ProOpens in a new tab. from the Microsoft Store.

Teleprompter hardware: Teleprompters help you present to the camera without needing to learn your script. When I need more screen space and the durability of an all-metal build, I like the Glide Gear TMP100Opens in a new tab. beam-splitter teleprompter. It works with my mirrorless cameras and uses an iPad or tablet to run the teleprompter software.

Tosh Lubek runs an audio and video production business in the UK and has been using the Canon EOS R since it was released in the Autumn of 2018 and the Canon EOS R6 in 2020. He has used both cameras to shoot TV commercials broadcast on Sky TV, promotional business videos, videos of events and functions, and YouTube creator content. He has also won several international awards for his advertising and promotional work. You can meet him by visiting his “video booth” at HashTag Business Events across the country.

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